After wading through the big words and pompous tone of William Zinsser’s “Writing About the Arts,” a chapter taken from his book, On Writing Well, there is good advice to be had about being a critic and creating one’s own voice – it just takes some ego flaunting, on behalf of the author, to get there. It is pretty clear from the text that this is a man that knows what he is talking about (and he almost comes right out and announces it) and at the same time, this is a man that takes himself and his “art” a little too seriously.
The saying that “everyone is a critic” would surely be an insult to Zinsser as he believes that in order to be a critic, one must possess a “special set of skills and a special body of knowledge.” Moreover, he is presumptuous in assuming that every writer, at some point in his career, wants to be a critic. To some extent, everyone is really a critic as each person has his own opinions but whether he is an educated critic is the question. The author makes a strong point in emphasizing that a good critic needs a strong background in the medium that he is critiquing. The idea is to be able to draw on other examples in support of the ones being given and give additional information to the reader as part of the education process. Essentially writing a critique is educating the reader as to why this film may or may not be worth it to see or why this book is a best-seller – a good critic can evoke an opinion from the reader as a result of his words.
1 comment:
I think you're right, the idea of a critic is to entertain and inform and the critic doesn't need to be stuffy or elite to accomplish this. I like the goals you set for yourself. Good job!
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